Ok computer radiohead grandpa professional#
My grandpa, Joe Curran, was a professional musician and played in the BBC Symphony Orchestra. I still get that same rush now, branching out into synth and MIDI instruments and music production.ĪC: I grew up in a household where music was all around. At 13, I started teaching myself guitar and drums, and that’s when I really got the bug for learning new instruments.
I took choir and band in school and always loved singing harmonies. I vividly remember the rush of excitement that gave me. MW: One of my earliest memories is playing the piano at three years old and figuring out notes that sounded good together. He added some guitars and loved Maiah’s voice and the vibe, and bingo – we had a lineup!ĪD: What first got both of you hooked on music? I played Alex a song called “Shadow” that we co-wrote. I an A&R job at Anthem and had worked together with Rush for over a decade. Alf and I met when I was recording an album with the band Leisureworld, and we instantly hit it off. I met Maiah when she online radio competition. That was a really exciting day.ĪC: Alex Lifeson and I have known each other for years, and at one time were label mates on Anthem Records (Rush’s label). About two songs into working together, Andy called me out of the blue and said, “Alex really likes the songs, and wants to add some guitars.” I flew to Toronto and met everyone. Andy had been working on some similar music, and I offered to add vocals to them – not having any clue about who Andy was at that point. We got to talking about an industrial-sounding song of mine that he really liked. One of my prizes was a mentorship with Andy through Zoom. MW: I met Andy through a song contest I won five years ago.
Ok computer radiohead grandpa series#
“Liar” was requested for the Netflix series Tiny Pretty Things, and then, when the team at K-Scope/Snapper Music heard the music, this caught fire, and we then had a mission to finish, record and release. It wasn’t until Alex Lifeson asked me one day, “Andy, what are we going to do with all these songs?” that we felt we should share it with some music industry people. It had been in the works with no real master plan, and no label or management driving us. There heavier songs like “Dogs Life,” and “Enemy,” [and softer and sweeter songs like “Old Strings” and “Western Sunset.” Any song idea was on the table, and we just enjoyed the process of creating together.Īndrew Curran: Envy Of None was really four like-minded musicians adding their ideas to seeds of songs that just seemed to ooze out of all of us. The music is diverse, and I love that about the project. It wasn’t until four years and ten songs later that we decided officially release it.
Even when Alex got on board, there was never any pressure to do anything differently or try to make any sort of big hit song. It was just for the fun of making some cool music together. The project started out slowly, with zero pressure.
Maiah Wynne: I first started working on some songs with Andy around five years ago. I talked with Andy Curran and Maiah Wynne about the uber-surprising Envy of None project. To see that the old dog can in fact be taught some new tricks is nothing short of delightful. When asked about the project, Lifeson quipped that Envy of None “had no rules,” an approach that seems to be an ongoing and most successful methodology for the veteran axe-slinger. Along with Lifeson, the cast of players includes bassist Andy Curran (of Coney Hatch), actress turned singer/songwriter, Maiah Wynne, and guitarist Alfio Annibalini. Listeners will be delighted to a cohesive blend of alternative and indie, with hints of industrial sprinkled across the soundscape. Envy of None, their debut album, was released on April 8. Fans longing for new music from legendary Canadian progressive rocker Alex Lifeson of Rush will have to wait no longer, as the guitar virtuoso’s newest group, Envy of None, has delivered some of the most inventive and surprisingly vital work of the 68-year old’s career.
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